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Nicholas Galanin - Tlingit / Aleut
Interview by Ronald Egger
March 2010
Ronald Egger: In your artist statement you say you have become impatient with the “Indian Art World.” Can you describe what this world is and how you may or may not fit in?

Image of Silver Hand Logo, a program designed to verify that the object is created by a native artist. The Silver Hand Program mission is to promote authentic Alaska Native art made in the state exclusively by an individual Alaska Native artist. The seal indicates that an article on which it appears is created by hand in Alaska by an individual Alaska Native artist. A permit is awarded for two years from the date issued and must be renewed every two years to remain active.
Nicholas Galanin: What do you think about programs such as the Silver Hand? Why do we need to verify everything Indian with a number, card, or certificate? The general perception of Indian Art is very misleading. Indian Art is life, humanity and all that we may creatively perceive. My impatience with this scene comes from all that binds the term. The Indian Art World is as I understand (at the moment), my culture’s internal and external being which includes my life experiences on many different social layers. Being brought up both in and away from my indigenous culture I have experienced a very different perspective on my heritage than my great grandparents would have known. The generational spread that our cultural community encompasses moves far beyond a romantic ideal commonly associated with the term Indian Art. We are being culturally dishonest if we reject all that passes through our culture. Economics and cultural objects, curio and collector, Indians and museum, history and the present. I often like to unravel the things that irritate the Indian in me, putting them back on the shelf with new meaning, clarity or focus. As an artist that contributes to my culture, I feel immense gratitude knowing that I am able to give to something greater, this feeling of belonging is the Indian Art World.
RE: What is the “cultural awareness” that you hope to develop through your artwork as mentioned in your artist statement? I am particularly curious about the idea of increasing awareness for both non-Natives and Native people. Is there a difference in the needed kind of awareness for each of these groups?
Video: 4 minute 36 sec. loop, performance by David Elsewhere
NG: Understanding the term culture is as difficult as defining the term. To become aware of this culture we must engage with it. The complexities of cultural growth and interaction create preconceived ideals, perspectives and viewpoints. Through action and creative risk taking, I, as an artist am able to partake in this cultural development. There are differences in every individual’s need for cultural awareness, the grouping or generalized terms, native, non-native, etc. are products of cultural cross roads.
