Contemporary North American Indigenous Artists

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Contemporary North American Indigenous Artists

Welcome to the Contemporary North American Indigenous Artist Blog.

I suggested to William LePore, the Chair of the Department of Art at Portland State University, that I would like to teach classes focusing on topics about Contemporary Native art. To my delight he took me seriously and gave me the amazing opportunity to teach a class called “Contemporary Native American Art” during the winter term of 2010.

I was very nervous about teaching the course. My nervousness came from wanting to give adequate represent to my fellow Contemporary Native Artists and their work, while also trying to convey some issues related to Indigenous struggles both in the past and currently. Even if the Native artists’ works that we examined had nothing to do specifically with indigenous subjects, it seemed like the course could not function without an overview of Native and First Nation’s history.

While preparing for the course I considered several approaches to take, none of which really satisfied my desire to learn about these artists in very direct ways. So, I decided to employ the Internet to allow me to build my course around student engagement with Native Artists in person.

The first day of class I presented my idea to my fourteen students. I asked them if they would be interested in helping me build a blog that would archive student conducted, e-mail based interviews with Contemporary Native Artists. The general response was excitement with a bit of nervousness. I compiled a list of over fifty Native Artists and gave short presentations on each artist showing a few of their major works. Each student than picked an artist from the list to contact for the project.

The students had over six weeks to research the artist’s work, formulate questions for the interview, respond with a second round of questions, select images, and upload the final interview to the blog. All interviews except for one were conducted through e-mail. At the end of the student’s interviews I requested that they each ask their artists two of my own questions:

• Do you think of yourself as a “Contemporary North American Indigenous Artists?” Do you think terms like that one are useful or not? Do you feel like there is a separation between contemporary indigenous artists and the rest of the art world as represented by mainstream art magazines, biennials, art fairs, etc.?

• Can you recommend another artist that we should interview for this blog in the future?

When making the blog I wanted to make sure not to exclude First Nations Artists. The course title was Contemporary Native American Art but many of the artists we researched are from Canada. So the blog title is an attempt to be as inclusive as possible: Contemporary North American Indigenous Artists, with the idea being to focus on contemporary art made by North American Indigenous artists regardless of subject matter.

It was an amazing ten-week process. The class met every Tuesday from 1-4:50pm. The students gave updates to the class about their interactions with their artists. Students would read their responses to the class and that would inspire conversations which might not ever have happened had the class been structured in a more traditional lecture format.

Throughout the process the students and I felt a range of emotions from excitement to suspense. One of the artists had a baby during the course of the interview and another artist was traveling throughout Asia. Knowing about these life events made the students feel more connected to their artists. On the final day each student gave an in depth presentation on each of their artist’s work and talked about some of the highlights during the interview process. I think the students were surprised to find that they can gain access to people they are interested in researching more easily than they thought. For the most part the experience was very positive and the students are proud to be providing the public with more information on contemporary Native Art.

I have gained great inspiration from this process and a feeling of community with the artists included in the project. I would like to thank all of my students for making this blog possible and all of the amazing, talented, and generous artists who participated with my students.

Wendy Red Star
Adjunct Professor
Department of Art
Portland State University

  • John Feodorov - Art 21

    Office Shaman

    Tagged: John Feodorov

    Posted on March 27, 2010 with 20 notes

  • John Feodorov - Navajo

    Interview by Ana Briseno

    March 2010

    John Feodorov is an artist, musician, and teacher born and raised in between Los Angeles and the ‘White Horse’ region of New Mexico. I had the privilege to interview John last month. We talked about responsibility, desperation, and funny art.

    100% Hybrid #1 - Mixed media on paper, 50 ” x 30 “, 2010



    100% Hybrid #2 - Mixed media on paper, 50 ” x 30 “, 2010


    Ana Briseno: My first encounter with your work was at a lecture you gave last May at the Portland Art Museum. I still have the flyer for the event pinned on a wall near my desk to remind me of things you talked about. It was fascinating to hear you speak about spirituality, appropriation, and being a Native American artist. There is certainly not enough discussion or consideration of those types of topics in the art world. I would like to begin with a question about that lecture:Your consideration in talking about responsibility and ambiguity was very interesting to me. Since the lecture I have continued to think about those subjects and my ideas on those issues constantly change and shift. Have your thoughts changed or further developed on the topics of responsibility and ambiguity within your work?

    John Feodorov: I don’t completely remember the context of my statement, but I’ll try and clarify what I think I meant. I feel that artists not only have a responsibility to make work that is more than merely self-expression, but also to understand their subject and their relationship to that subject. Unintended ambiguity is simply the result of ignorance, or worse, laziness. That said, ambiguity can be a useful strategy in allowing the viewer the opportunity to engage with the work, without feeling preached to or accused. I think the best strategy is one that results in the viewer’s self-incrimination because I believe this realization is much more difficult for the viewer to ignore. True, it may not happen in front of the artwork, but Art has a funny way of sticking with people. I guess I prefer planting seeds to pointing fingers. So the ambiguity I’m talking about is not really ambiguity at all, but a well-planned strategy disguised as ambiguity.

    Read More

    Tagged: John Feodorov Contemporary Native American Art

    Posted on March 27, 2010 with 8 notes

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