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Gail Tremblay - Iroquois / Micmac
Interview by Amanda Rhoads
March 2010
Gail Tremblay is an artist with skills using a wide variety of materials to create art. At the Portland Art Museum, I stood with my class viewing the Native American galleries. My instructor Wendy Red Star mentioned that the film basket made by Gail Tremblay in one of the display cases was one of the few examples of contemporary Native art in that section. This fact intrigued me. Wendy then added that Gail is known as an articulate writer. The art of writing is something to which I am increasingly drawn. It was this day in the museum and Wendy’s comments that inspired me to interview Gail Tremblay. In our interview Gail provided references to works that communicate the complex, thoughtful, and inspiring process of making art.

And Then There is the Hollywood Indian Princess, 2002Sculpture - 16 mm film, metallic braid 9 x 7.25 x 7.25 inches
Ms. Tremblay used an educational film about sexually transmitted diseases to create this basket. It was included in the ArTrain exhibit of contemporary Native American Art curated by Joanne Osbourne Bigfeather, and in Tattered Cultures, Mended History, curated by Mary Babcock, at the Academy Art Center, Honolulu, HI 2008, and it was reviewed, Artweek November 2008. It is in the collection at the Hailie Ford Museum at Willamette University in Salem, Oregon. (Froelick Gallery)

Indian Princess in a White Dress, 2006Sculpture - 16 mm film, metallic braid
9 x 7 x 7 inches
Amanda Rhoads: It was mentioned that your works are “reclaiming native history.” The piece “Indian Princess in a White Dress,” would seem to need more explanation to convey a message of reclamation of Native history to an audience without any knowledge of Native history. As it is alone, a person might easily experience the piece as another stereotypical Indian image. Does it matter if people consciously “get” your piece, or is the energy and intent enough, and further explanation would actually take away from the intended experience?

Indian Princess in a White Dress, 2006
Sculpture - 16 mm film, metallic braid
9 x 7 x 7 inchesGail Tremblay: Where was it mentioned that my works are “reclaiming native history”?
Some do, but some of my film baskets comment on images of Indians in the media, some play with and make ironic commentary on stereotyping, I am enclosing a slide list that will help you understand something about how I use/choose materials and write titles. You might also want to look at the article in the July/August art ltd. magazine on the work in my April/May exhibit in the Froelick Gallery for insight about my film baskets. I am also including an artist statement about the film baskets in particular, and an artist statement that talks about various periods of my work which was in the gallery notebook for a retrospective exhibit I did in 2001 called Twenty Years in the Making. It is hard to reduce the work I show to a single theme, although works of a particular period may relate to a particular theme.