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Daina Warren - Montana Cree
Interview by Sharita Towne
Winter 2012

Daina Warren is a curator based in Winnipeg, Canada. She is currently Co- Director at Urban Shaman Gallery. One of the things that most struck me about Daina, and inspired me to reach out to her was the range of artists and shows she has put together, and her keen sense of description and introspection when delving into these works. Furthermore, she has accomplished all of this at a relatively young age! I figured there was a thing or two I could learn from Ms. Warren, and was honored she agreed to this interview.
Sharita Towne: Thank you for taking the time to do an interview with us. I want to start off by getting to know a bit about where you’re from, your family, and community. Has anyone in your family been an inspiration in your pursuing art?
Daina Warren: I am from the Montana Cree Nation located in Hobbema, Alberta. Many people in my family state that they are not artists per se (and I have the amazing situation of two families, my birth Native family and my adopted white family). But it’s because of them that I always felt their support and energy to take on a career in the arts. In my white family, my mother and father are really remarkable at designing and renovating houses; one of my brothers is a musician, and there are contemporary dancers and other musicians in the extended family. In my Native family, my birth mother and grandmother are both exceptional traditional beaders. They have made almost all of the regalia for the immediate family of my brothers, sisters, and cousins on the rez.
ST: You studied Studio Arts, and now it seems much of your creativity is channeled into your curatorial practices. When did you first get into curating?
DW: My first curatorial project was actually at Emily Carr University of Art & Design (back then it was known as Emily Carr Institute of Art & Design) while I was pursuing a Bachelor in Fine Arts degree for my own Visual Arts practice. I curated our student exhibition titled, Deconstructing the FirstNationsAboriginalNativeIndian in 2000. However, it was soon after I finished at ECUAD that I started working with grunt gallery, in that they hired me as a curatorial resident through Canada Council’s program, Grants to Aboriginal Curators for Residencies in the Visual Arts, and I worked with them from 2000 – 2001. I was then hired on permanently as curator and administrator. My curatorial experience developed because of the projects and people I met through grunt.

Kevin McKenzie, 426 Hemi, from “Don’t Stop Me Now,” curated by Daina Warren