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Jim Denomie - Ojibwe
Interview by Saamantha Lee
March 2010
The reason I chose Jim Denomie as the artist for this blog was my emotional response to his paintings; I had a certain “de-ja-vu” feeling and remembered images from a dream I had several years ago, in which I saw painted horses and people moving about, so I wanted to pursue my dream, in a sense. Originally he focused on black and white photography and also did some black and white prints and oil pastel drawings. His most recent work is what really caught my eye; it struck me as being completely original, and the messages it sent out are very powerful statements, daring as they are original; forcing the viewer to reflect on injustices and events that are still going on today that disrespect the humanity of Native Americans of all tribes, but specifically the tribes and reservations in Wisconsin and Minnesota. The following images illustrate some of the changes in Jim’s work over the last few years. I wanted to understand his process and technique of applying the paint to canvas, and he revealed that as well as providing an overview of the way he has achieved balance between painting and the everyday world. His use of brilliant colors, often used in what might be called a “psychedelic” style, where, for example faces are portrayed without any relation to the colors of skin as we see it, “as if it were just for fun like being back in middle school.” The brightly colored portraits painted one a day for a whole year, were shown in the “New Skins” exhibit at Minneapolis Institute of Arts in 2007, hung grouped together as if they were one piece.

Shooting Stars, 2001
The Journey #2, 2001
Sustenance, 1995
Seeking Mercy, Still, 1997

Rabbit, 2002A great change occurred in his work around 1996 – 1997 when he began painting surreal and brightly colored images where trees and rivers took on the forms of tall slim women with arms becoming branches reaching into the sky.